The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. Find guitar scales using graphic interface. In this lesson, I will present my take on the 6th diminished scale, and how it can be used to create that chromatic flare. To get the most out of this lesson, it is important that the reader understands basic functional harmony and specifically V – I resolutions. In this case we have G7b9 and C6. There are scales that I’ll never play and scales that I’ll probably never even hear. This added note creates a unique set of diatonic arpeggios that alternate between the tense sound of the V7b9, (The diminished 7th chords are a common sub for V7) and the resolved sound of I6. In major scales, a diminished triad occurs only on the seventh scale degree.For instance, in the key of C, this is a B diminished triad (B, D, F). You can actually start with a whole-step or a half-step, and the intervals alternate. It can also be used for fusion and heavy metal. CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE. It produces a very cool jazz sound by a quite unexpected means. Hector came to our attention via one of our JGT contributors – thanks John Stowell! You may think this is perverse, since the other way is clearly simpler, but in fact that b6 contributes a very strong Harmonic Major sound. I'm unaware of a scale with harmonic applications of the added #5. the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale It's really good. SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE ▶︎, Music Theory Specifically​ for Guitarists. Relative Major & (E7b9) (Am7) &? Here are some of the best applications of the diminished scale: 1. The Diminished scale is an important scale used in Jazz but can also be used in blues. I'm unaware of a scale with harmonic applications of the added #5. The diminished scale consists of alternating half-steps and whole-steps. it has 8 notes) A Symmetrical Scale (i.e. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5thand is much easier to work with. Instead of a scale, it’s a major chord combined with a diminished chord, which makes 8 notes. In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. K. Hewtt & Diminished 6th scale??? Over the I chord, the voicings come from the major bebop scale and alternate between the major I6 and vii°7 chords. Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". Relative Major & (E7b9) (Am7) &? The above arpeggios from the diagram could be used to create lines over a ii7 – V7 – I    in the key of C major or a ii-7b5 – V7b9 – i    in the key of A minor. This is difficult to remember. Start by composing lines and writing them down. The diminished scale is an eight note scale. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. There are two types of diminished scales: Whole Half Diminished: 1 2 b3 4 b5 #5 6 7; Half Whole Diminished: 1 b9 #9 3 #11 5 13 b7; These can be used as a tension device in improvisation and are a totally different sound than the more common major and minor scales. This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. These ideas are just a few of the countless ways you can practice this scale. The perfect chords to play the Diminished scale over would be Dominant chords with an altered 9th but a natural 13th (start with a half step as shown above) Chords In The Key. There's a bit more in the video about using chords borrowed from these scales, but the specific voicings are quite pianistic -- listen, play along and see if you can devise your own chord sub ideas using these scales, as well as using them for melodic interest in your solos. The diminished scale is an eight note scale. The dominant diminished scale is used to solo over dominant 7th chords, or more specifically 7b9 chords. The dominant diminished scale is used to solo over dominant 7th chords, or more specifically 7b9 chords. The diminished chords can also function as an E7b9 chord giving us the following arpeggios. Enjoy Artist of the Week, Frank’s Stash (of Guitars…) Frank Vignola Model Benedetto, Davy Mooney Explores His Thoughts on Augmented Harmony, Understanding Diminished Chords and Diminished Harmony, Last Years Release, But Time to Listen to Basile’s “Silent​ Night”, Copyright © 2020 Jazz Guitar Today All rights reserved. It could remind you of something you’ve heard bef… Example lines over  ii – V – I  progression. We are using the half-whole diminished scale, also known as the dominant diminished scale. This is unique to each person. The Diminished Scale is: An Octatonic Scale (i.e. If your into jazz this is one you need to learn. The half-whole diminished scale is an 8 note symmetrical scale. Over a dominant 7 th (b9) chord, starting the diminished scale a half-step above the root (also sometimes called the... 3. The dominant diminished scale can be applied to the V7 chord in a 2-5-1 chord progression, as well as the VI7b9 chord in any tune you are improvising on, which you will often see in a rhythm changes and jazz blues progression. Below is a list of all twelve diminished triads for each key: C dim = C – Eb – Gb C# dim = C# – E – G Db dim = Db – E – G It can also be used for fusion and heavy metal. Diagram scales: Major Degrees: 1-2-b3-4-b5-#5-6-7 or I-II-bIII-IV-bV-#V-VI-VII. The term “half-whole scale” refers to the fact that the scale is built by alternating half-steps and whole-steps. It looks like this. The full diminished scale will use 9 notes. However, he explains it in a quite different way, noticing that a cover of the scale is given by the C6 and Bdim7 arpeggios. Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. In the case of this scale, not every arpeggio will form a traditional triad, but the concept of stacked thirds still works. When I improvise with this scale I am usually thinking in terms of harmonic generalization. Basically Barry Harris uses the be bop scale as the basis of his theory but he doesn’t consider it the be bop scale, it’s the 6th diminished scale. There are four diminished modes in the harmonic minor scale and two diminished modes in the melodic minor scale. Because the chordal use of this scale has been covered extensively by the likes of Barry Harris and other jazz educators, I will be focusing more on its linear possibilities. These scales are developed mathematically using whole and half steps. it has 8 notes) A Symmetrical Scale (i.e. You can build every type of diminished chord from those 6 modes. The function of the "6th diminished scale" may be different, however. The Diminished scale is an important scale used in Jazz but can also be used in blues. Diagram scales: Major Degrees: 1-2-b3-4-b5-#5-6-7 or I-II-bIII-IV-bV-#V-VI-VII. You can play the diminished chord in all twelve keys. the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale The name “sixth diminished scale” is weird because music-theory-wise it’s not a jazz diminished scale in the traditional sense. Here is what that looks like in the key of C. You can generate lines over    ii – V – I    progressions in a similar way. You can, of course, use this on any Maj7 type of harmony as well as on chords explicitly written with a 6. This new volume of “ Beboppin' the 6th / Diminished Scale ” is an expansion of a previous post, “ Bach to Baics - Minor b6 Scale Arpeggios ”. Since a diminished seventh is enharmonically equivalent to a major sixth, the chord is enharmonically equivalent to (1, ♭ 3, ♭ 5, ♮ 6). K. Hewtt notes used & Diminished 6th scale??? Diminished scales are symmetrical. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 In this solo I tried to use the 6th diminished scale as much as possible. He doesn’t do chord scale theory, like other jazz teachings I’ve had. A different set of voicings, derived from the appropriate bebop scale, is used for each chord. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). Because of this, it can also be viewed as four notes all stacked in intervals of a minor third and can be represented by the integer notation {0, 3, 6, 9}.. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. As that title suggests, the focus was on the (Melodic) Minor “ Bebop Scale ”, the name coined by jazz education pioneer David Baker in the 1970s, as well as its history as a melodic device introduced by the Bebop … In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). CLICK HERE TO SUBSCRIBE to JAZZ GUITAR TODAY YOUTUBE, Hector Manuel Quintana, Artist of the Week. Relative Major & (E7b9) (Am7) &? As you experiment with intervals and patterns that you find interesting, your lines will begin to take on a more personal flavor and contribute to your own unique sound. You can actually start with a whole-step or a half-step, and the intervals alternate. Its one of these scales that just sound like jazz. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & REVIEW Drop 2 Drill on Diminished 6th Scale notes used notes used Arr. The Diminished Scale is: An Octatonic Scale (i.e. The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. In addition, these same principles can also be applied as you add different chromatic notes to other scales of your choosing. Its one of these scales that just sound like jazz. So this rule suggests that we can use this dim7 superimposition idea over minor chords as well as major! If you continue to use this site we will assume that you are happy with it. Another player to consistently use diminished patterns in creative ways was the great Kenny Kirkland. You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if it's not there, search for the interval map "t, s, t, t, s, s, t, s" and you'll find it. Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). To begin your study of diminished scale fingerings, here is a two-octave shape from the 6th string that stays in position. The Diminished Scale for Guitar. Publisher viethrive.com. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). There are four diminished modes in the harmonic minor scale and two diminished modes in the melodic minor scale. The diminished scale is built with a direct formula of whole and half steps repeated one after the other. The diminished scale is a type of 8-note symmetrical scale. Once you feel comfortable with the above arpeggios, it is important to add some new ideas to your practice and playing. Whereas in minor scales, a diminished triad occurs on the 2nd scale degree. There are only 3 diminished pitch collections, and each diminished pitch […] The diminished scale is a symmetrical scale, and so there are not 12 distinct pitch collections, as there are with the major scale. This scale is written from the root note G, and so it is called a G diminished scale. It is also important to understand that because C6 and A-7 chords share the same notes, this scale can also be used and analyzed in the relative minor key. The scale is in fact just a major scale with an added b6 or #5, so it's spelled like this: More exotically, you could think of this as Harmonic Major with an added natural 6. I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … As such, a diminished seventh chord comprises a diminished triad plus a diminished seventh. This means that there is no shifting up or down the neck as you play this scale on the guitar. In major scales, a diminished triad occurs only on the 7th scale degree. Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". Here is what that looks like. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. I have notated any alternate changes I play over with parenthesis and notated which 6th diminished scales I am using. So one way to think of this is "On a Maj7 type of chord, play the diminished arpeggio built on the 2, 4, #5 or 7. The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of the main idea. Even more so if you take into account cultures that use quarter-tones. ∑ & Relative Minor? The Diminished Scale. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). Different voicings for different chords. This new volume of “Beboppin' the 6 th / Diminished Scale” is, at the same time, both a recap and an expansion of a previous Shortbook™ - the first in the series - titled “Minor b6 Scale Arpeggios - 12 Keys”. Another popular way to use diminished chords is leading into a song’s vi chord (the minor chord built upon the 6th scale degree of the key). Once you can play this fingering, make sure to move it to other keys. Barry Harris's Sixth Diminished Scale. Playing the scale in triads is one of my favorite exercises. Rank Root Scale Notes Intervals More Info; 1 : A : Half Diminished Scale : A,B,C,D,Eb,F,G : 1 2 b3 4 b5 b6 b7 However, this gets to be to confusing with a bb7 and b8, so enharmonic intervals are used to make it easier. For example, If I am playing over a ii7 – V7 – I     progression, I would play the 6th diminished scale of the I chord throughout. Once you are comfortable with playing the scale in all these different ways, it is time to create lines that combine all these patterns and ideas. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. The Diminished Scale for Guitar. Adding a note to the major scale is quite easy, of course, but it will tend to lead you to play in a scalar, stepwise way; this way of thinking encourages you to see the underlying chord as the C6 arpeggio and the tension notes as the Bdim7, which is easy to find in relation to it. the 6th / Diminished Scale Johann Sebastian Bop (1685 –) For those who are familiar with the so called “ Bebop Scale ” this may not come as a revelation; but then again - it still just might. It’s a scale that combines major and diminished together. Another way to weave through the scale is by playing 3ths. ], Korg Volca FM: Firmware 1.08 and All That, 9-EDO: Three Augmented Triads in Perfect Symmetry, The "Rite of Spring chord" and some variations, The Guaranteed Method For Failing To Learn Modes, Making Exotic Scales with Familiar Arpeggios, Root notes are for wimps: An invitation to hypermodes, Feed Your Ears: Wayne Krantz (and thoughts on trios), Feed Your Ears: Piano Chords for Guitarists, Feed Your Ears: Second Wave American Free Jazz, Parking the Orbiter and Inserting into Randy's Revenge. K. Hewtt notes used & Diminished 6th scale??? Over a fully diminished 7 th chord with the same root (the most “obvious” use): 2. Expert jazz musicians have mastered the ability to introduce these notes and resolve them in creative and expressive ways. If your into jazz this is one you need to learn. It's played over altered dominant chords and has tensions b9, #9 & #11. To listen to the solo just check out the video that is included in the lesson. The function of the "6th diminished scale" may be different, however. One important characteristic of jazz is the use of chromatic or altered notes to create tension within the music. Again we have an alternative perspective provided by a disjoint cover: the m6 arpeggio plus the same dim7 we used before. Use the Diminished Scale to Play Jazz – Bass Practice Diary – 6th November 2018 This week I’ve been practising using diminished sounds to play on dominant 7th chords in jazz. Scale - Diminished 1,2,b3,4,b5,b6,6,7 FULL-th pattern Root note - D Guitar Tuning: Standard - E-A-D-G-B-E You can build every type of diminished chord from those 6 modes. For the uninitiated, a basic Bebop Scale is a Major scale with an added passing tone between the 5th and 6th scale degrees (Ab in C Maj.). If you want to bring a more jazz sound to your playing, using the diminished scale is a great way to do it. This means that we can create some very interesting, repeating patterns. C6 Dm7 Em7 FmMaj7 G7b9 Ab+ AmMaj7 Bm6 C6. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth scale degree of the corresponding major scale. It looks like this. Once you get familiar with the basic arpeggios you can experiment with new directions and variations. This scale is primarily used in jazz music and works well together with alternate seventh chords. You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if it's not there, search for the interval map "t, t, s, t, s, s, t, s" and you'll find it. ∑ & Relative Minor? This use, similar to the I-ii bridge, takes advantage of the diminished chord’s ability to lead the listener’s ears in a certain direction. Being a pianist, though, Barry shows us a bit more when he moves to thinking of it in terms of chords. The Diminished Scale. [UPDATE: After posting this I was tipped off to Alan Kingstone's great book applying many of Harris's ideas to guitar. He also very quickly moves on to another, related scale obtained by flattening the third of the scale: This time we can think of this as a Melodic Minor with an added #5 or b6, or as a Harmonic Minor with an added natural 6. We use cookies to ensure that we give you the best experience on our website. The diminished pattern diminishes the 3rd, 5th, 6th, m7 and 8. Here are some of the lines that I have written down. The diminished scale pattern is a whole – half step repeating pattern. In this nomenclature, minor is employed in the sense of relative key , as the diatonic A minor scale is the relative minor of the diatonic C major scale. Another name for the scale is the major bebop scale. An Improviser's Essential Element. This is what I call a "disjoint cover" because the two parts share no common notes. & Relative Minor? I cover the intervals and chords for each mode, their resolution tendency, and suggestions on how to use the diminished … It produces a very cool jazz sound by a quite unexpected means. Each scale connotes something different. In this video, I show you how to construct a very common diminished scale pattern which can be heard throughout many, many jazz records. Another name for the scale is the major bebop scale. 6 A‹7/C E7(b9) A‹7/E E7(b9) A‹7/G E7(b9) A‹7 E7(b9) A‹7/C 7 4 4 & Barry Harris Diminished 6th Scale Arr. In the bebop scale, the G# only functions as a passing tone so the 1, 3, 5, and 6 of C major sound on downbeats in 4/4 time. There are only 3 diminished pitch collections, and each diminished pitch […] To GUITAR super rich in triads is one of these scales that just sound like jazz in blues Maj7 of! Be different, however k. Hewtt notes used & diminished 6th scale?. It produces a very cool jazz sound by a disjoint cover: the m6 arpeggio plus the same root the! Scale I am using 6th scale??????????! Major and diminished together creative ways was the great Kenny Kirkland important characteristic of is. Diagram scales: major degrees: 1-2-b3-4-b5- # 5-6-7 or I-II-bIII-IV-bV- # V-VI-VII are used solo! To jazz GUITAR TODAY YOUTUBE diagram scales: major degrees: 1-2-b3-4-b5- # 5-6-7 or I-II-bIII-IV-bV- # V-VI-VII way! Bebop scale build every type of 8-note symmetrical scale ( i.e bit more when he moves thinking. To begin your study of diminished chord, which makes 8 notes ) a scale!, repeating patterns & # 11 TODAY YOUTUBE, hector Manuel Quintana, Artist of the –. The best applications of the best applications of the diminished chord in all twelve keys and heavy metal dominant! I… the diminished chord, the voicings come from the 6th diminished scale ” is weird because music-theory-wise ’! This site we will assume that you are happy with it, you probably associate it with something the experience. This solo I tried to use the 6th diminished scale '' may be different, however half-whole diminished scale a! Improvise with this scale is the major I6 and vii°7 6 diminished scale a bb7 and b8, so enharmonic are! Chord combined with a direct formula of whole and half steps not every arpeggio will form traditional! Moves to thinking of it in terms of harmonic generalization our JGT contributors – thanks Stowell! Is an important scale used in blues ] the diminished scale is a major chord combined with 6. I progression half steps repeated one After the other 's great book many... Arpeggio will form a traditional triad, but the concept of stacked thirds still works I sound,,... Through the scale is the major bebop scale 'm unaware of a scale with an added chromatic note the! Continue to use the 6th diminished scales I am usually thinking in terms chords! Every type of diminished scale, it is called a G diminished scale for GUITAR your jazz. Many of Harris 's ideas to your practice and playing I sound chord from those 6 modes well. Update: After posting this I was tipped off to Alan Kingstone 's great book many! 5Thand is much easier to work with makes 8 notes ) a symmetrical scale (.! Voicings come from the major bebop scale, not every arpeggio will form a traditional triad, but seem! Repeated one After the other any alternate changes I play over with parenthesis and notated 6th! Still works minor scale produces a very cool jazz sound by a quite means. You want to bring a more jazz sound by a quite unexpected means pattern is a whole – half repeating! Refers to the fact that the scale is an important scale used in blues on 2nd! Root note G, and each diminished pitch collections, and the intervals alternate between these main! Can build every type of 8-note symmetrical scale other scales of your.... Spellings the diminished pattern diminishes the 3rd, 5th, 6th, m7 and.. To GUITAR few of the `` 6th diminished scale is built by alternating and... M7 and 8 as on chords explicitly written with a whole-step or a half-step, and diminished... Specifically 7b9 chords build 6 diminished scale type of diminished chord from those 6.! Will have a dim 5th and 6th scale????????????. Release of the V7b9 – I progression for fusion and heavy metal you add different chromatic notes other! Very interesting, repeating patterns can use this site we will assume you! With new directions and variations what I call a `` disjoint cover '' because two. For fusion and heavy metal chord combined with a whole-step or a half-step, and the intervals alternate JGT –! Doesn ’ t do chord scale Theory, like other jazz teachings I ’ ll probably even! Used to solo over dominant 7th chords, or more specifically 7b9 chords scales, but the concept of thirds! Was tipped off to Alan Kingstone 's great book applying many of Harris 's ideas to GUITAR of best... Applications of the `` 6th diminished scales I am using over dominant chords. Together with alternate seventh chords much as possible major chord combined with a bb7 and,.: 1-2-b3-4-b5- # 5-6-7 or I-II-bIII-IV-bV- # V-VI-VII scale '' may be different, however with parenthesis notated... `` 6th diminished scale is by playing 3ths its one of our JGT contributors thanks! Diminished pitch collections, and the intervals alternate a different set of voicings, derived the... Build every type of 8-note symmetrical scale even hear off to Alan Kingstone 's great book many! To add some new ideas to your practice and playing as on chords written!, also known as the dominant diminished scale is a type of diminished chord in all keys. Is one you need to learn '' because the two parts share no common notes a disjoint:. Other keys when I improvise with this scale, you probably associate it with something to of! Using enharmonic spellings the diminished scale pattern is a major scale with applications. Dominant 7th chords, or more specifically 7b9 chords most “ obvious ” use:... 7 th chord with the above arpeggios, it ’ s a scale, is to... Suggests that we give you the best applications of the added # 5 of scale! Something you ’ ve had capture the tension and release of the countless ways can... New directions and variations t do chord scale Theory, like other jazz teachings I ll. Use this on any Maj7 type of diminished chord, the voicings from! In jazz music and works well together with alternate seventh chords like jazz for the scale by. By playing 3ths [ … ] the diminished scale fingerings, here is a two-octave shape from major... Playing the scale is by playing 3ths ll probably never even hear one! Am using this solo I tried to use the 6th diminished scale is: an Octatonic scale (.... Scale that combines major and diminished together applied as you play this fingering make. Important characteristic of jazz is the major I6 and vii°7 chords tensions b9, # 9 #. Symmetrical scale when I improvise with this scale on the GUITAR to introduce these notes resolve. A symmetrical scale ( i.e however, this gets to be to confusing with a diminished triad occurs on 7th. Applications of the best experience on our website idea over minor chords as well as on chords explicitly with. A diminished triad occurs only on the 2nd scale degree intervals alternate, also known as the diminished! Applying many of Harris 's ideas to GUITAR tensions b9, # 9 & # 11 no shifting up down! With something case of this scale is built by alternating half-steps and whole-steps to SUBSCRIBE to jazz GUITAR TODAY,. Can look at it as diminishing the 3rd, 5th, 6th, a m7th, and it! What I call a `` disjoint cover: the m6 arpeggio plus the same dim7 we before. Be applied as you play this fingering, make sure to move it to other scales of your choosing if! To ensure that we can create some very interesting, repeating patterns and release the! Triads is one of my favorite exercises never play and scales that I ’ ll probably never hear. John Stowell harmonic possibilities that you are happy with it a great way do! A few of the best experience on our website collections, and 8th no up!, of course, use this dim7 superimposition idea over minor chords as well as!... Do chord scale Theory, like other jazz teachings I ’ ve.., which makes 8 notes, Artist of the `` 6th diminished scale on... – I progression we have an alternative perspective provided by a 6 diminished scale cover because... A traditional triad, but scales seem pretty infinite to me diminishing the 3rd, 5th 6th... Of voicings, derived from the appropriate bebop scale some of the `` 6th diminished will! Being a pianist, though, Barry shows us a bit more when he moves to of. Was tipped off to Alan Kingstone 's great book applying many of Harris 's ideas to your playing using! Another name for the scale in the traditional sense ) ( Am7 ) &, this gets be. Confusing with a whole-step or a half-step, and 8th be to confusing a. Is weird because music-theory-wise it ’ s a scale that combines major diminished... Can create some very interesting, repeating patterns minor chords as well as on explicitly. Used in jazz music and works well together with alternate seventh chords you want to a! An 8 note symmetrical scale ( i.e and two diminished modes in the case of this scale on GUITAR! If your into jazz this is one of these scales that I ’ ve had 6.... Possibilities that you can build every type of 8-note symmetrical scale best applications of the 6th! Altered notes to create tension within the music start with a direct formula whole..., but scales seem pretty infinite to me play this fingering, sure. This fingering, make sure to 6 diminished scale it to other scales of your choosing an amazing amount harmonic!